chapter+15-20+(Angela)

Disscussion Director:

1.) what is your first reaction of the invisible man's speechs?

2.) why is the invisible man feeling split between his private and public self?

3.) What did you think of the letter informing the inviible man that he was still a black man in a white mans world?

4.) Was it a threat of an honest warning?

5.) How was cliftons death important to the plot?

Summarizer: The next morning, the narrator notices for the first time an object standing next to his door: a cast-iron coin bank in the form of a black man with bright red lips. If one places a coin into the statue’s hand and presses a lever on the back, the coin flips into the grinning mouth. The narrator breaks the statue in a fury but then cleans up the pieces, along with the coins that scatter on the floor. Ashamed to tell Mary about his deed, he gathers the debris in an old newspaper and hides the package in his coat pocket. He pays his debt and leaves Mary’s house without telling her that he will not return.The narrator throws the package into a garbage can outside, but an old woman demands that he take his trash out of her can. He leaves the package in the snow at an intersection. Another man, thinking that the narrator has left the package behind accidentally, follows him across the street and gives it back to him. The narrator finally drops the package into his briefcase and gets onto the subway. He notices people reading newspapers that declare in bold headlines: “Violent Protest Over Harlem Eviction.” He buys a new suit and calls Jack, who instructs him to go to his new apartment on the Upper East Side, where he will find literature on the Brotherhood awaiting his perusal. Jack wants the narrator to give a speech at a Harlem rally scheduled for that evening.Members of the Brotherhood drive the narrator to a rally, telling him to hold off his speech until the crowd becomes frenzied. The rally takes place in a former boxing ring. The narrator notices a torn photograph of a former prizefight champion who lost his vision during a rigged fight and later died in a home for the blind. As the narrator climbs the ramp to the stage, the spotlight blinds him temporarily. The crowd chants, “No more dispossessing of the dispossessed!” As the narrator steps to the microphone, the glaring light prevents him from seeing the audience. In his nervousness, he forgets all of the catchphrases that he has read in the literature of the Brotherhood and decides to improvise. The narrator’s speech plays on an extended metaphor of blindness and aligns itself along a dichotomy of “they” and “we.” In his oratory, the narrator says that “they” have dispossessed each one of “us” of an eye. “We” walk down the sidewalks, he says, blind on one side, while an oily scoundrel in the middle of the street throws stones at “us.” The narrator calls to the crowd to regain “our” sight and band together so that “we” might see both sides of the street. The audience applauds thunderously when he finishes. He steps blindly from the platform, stumbling into the arms of his admirers.Afterward, some of the Brothers criticize his speech for its inflammatory, unscientific style. They decide to send the narrator to Brother Hambro to nurture his natural talent for speaking but infuse it with the rhetoric of the Brotherhood. The narrator returns home feeling like a new person, ra After the narrator has studied the Brotherhood’s ideology intensely for months, the committee votes to appoint him as chief spokesperson for the Harlem district. The narrator receives his own office and meets Tod Clifton, a black member of the executive committee, who informs him that Ras the Exhorter, a militant black nationalist, remains the chief opponent of the Brotherhood in Harlem. Ras—whom the narrator sees giving an impassioned speech when he first arrives in New York—calls for complete and utter distrust of white culture.One day, the Brotherhood holds a rally in protest of what it deems to be racist eviction policies in Harlem. Ras and his followers disrupt the rally, and a brawl ensues. In the darkness of the night, the narrator has difficulty distinguishing his followers from those of Ras. He finds Clifton and Ras locked in an intense fight. Ras pulls a knife but decides to spare Clifton, citing their common skin color. He asks Clifton why he works with the Brotherhood, in which black members constitute the minority, and accuses him of turning his back on his heritage. He insinuates that the Brotherhood lured Clifton with the promise of white women and warns that the white members of the Brotherhood will eventually betray the black members.The narrator begins calling Harlem community leaders for support in the Brotherhood’s fight against unfair eviction. These leaders all fall in line behind the Brotherhood on the issue. The narrator’s new name becomes well known in the community. He throws himself into his work, organizing marches and rallies. Yet he still has nightmares about Dr. Bledsoe, Lucius Brockway, and his grandfather, and he feels a profound split between his public and private selves.dically different from the boy expelled from college. Yet, in his moment of pride and triumph, memories of his grandfather fleetingly haunt him.The narrator visits a bar, one of his old Harlem haunts. He recognizes two men who have attended some of his speeches and addresses them as “brother.” They react with hostility. He learns that many of the jobs that the Brotherhood procured for Harlem residents have disappeared. These men themselves have left the organization. Some men accuse the narrator of getting “white fever” when he moved to lecture downtown. He returns to his old office to look for Brother Tarp but fails to find anyone in the building. He discovers that Harlem membership in the Brotherhood has declined due to a change in the Brotherhood’s emphasis from local issues to national and international concerns. The narrator waits to be called to the strategy meeting that Brother Jack mentioned, but the call never comes. He hurries to headquarters anyway and finds the meeting already in progress. The narrator realizes that the other members intended to exclude him all along. Furious, he leaves the building and goes to shop for shoes. He spots Tod Clifton peddling “Sambo” dolls in the street. (The American stereotype of “Sambo” dates back to the time of slavery, denoting a docile but irresponsible, loyal but lazy slave.) Clifton sings out a jingle while the dolls dance in a loose-limbed motion. The narrator feels betrayed. Clifton sees some white police officers coming toward him and sweeps up his Sambo dolls, hastening around the corner. Apparently Clifton knows that he is not allowed to sell his dolls on the street. Clifton bids the audience that had gathered to watch his display to follow him. The narrator spots one of the dolls left behind and begins to crush it with his foot. Seeing one of the policemen nearby, however, he picks up the doll and puts it in his briefcase. He begins walking away, but as he comes around another corner he sees a huge crowd gathered. Clifton stands in the midst of it, flanked by policemen. The narrator then sees Clifton strike one of the officers, and the officer draws his gun and shoots Clifton dead.